ELMS Paddock Load In Time Lapse Video

-

The paddock set up for the European Le Mans Series or the World Endurance Championship is planned down to the last millimetre and the result is an impressively neat paddock that looks as professional as the teams that take part in either championship.

 The trucks are brought into the paddock in a specific order and they then park up to unload the cars and materials.  The fronts of the trucks have to be aligned exactly so that they line up down the paddock.

 I set up my X-T1 with the 10-24mm wide angle zoom to record 1400 images with one shot every 5 seconds over a two hour period, using the X-T1s inbuilt Interval Timer Shooting function, to record the set up at the Circuit Paul Ricard last week.  The camera was set to 16:9 format (instead of 3:2 for still images) and to record the images in JPEG Fine rather than RAW + JPEG I normally shoot.

 The images were then put together in Windows Movie Maker with the transition time between frames set at 0.05 seconds or 20 frames per second.  

 Music was added from www.freemusicarchive.org and the track I chose was an upbeat piece of music called 'Tidal Wave' by YEYEV.





 The resulting 80 second video shows how the teams arrive in order and unload their materials.  The image at the top of the page shows the paddock on Thursday evening after everything had been set up.

 All the still images below were shot on the second X-T1 with the 50-140mm f2.8 lens.








-------------------------------------------------------------------------------------------------------------
PLEASE SUPPORT THIS BLOG BY VISITING THE ADVERTISERS ON THIS PAGE
By clicking on the adverts you are helping support this blog - thank you.
-----------------------------------------------------------------------------------------------------------------

ALL IMAGES ARE THE PROPERTY OF MACLEAN PHOTOGRAPHIC AND CANNOT BE USED FOR ANY PURPOSE WITHOUT PRIOR PERMISSION

MacLean Photographic run Tours and Workshops in East Lothian and the Borders of Scotland.  CLICK HERE for more details and availability

Jeff Carter was recently named as a Fujifilm brand ambassador and you can view his profile and gallery on the Fujifilm website HERE

If you like what you see on this blog please visit our Facebook page and click 'like'
     

Comments

Post a Comment

Popular posts from this blog

REVIEW: The New Fujinon 2x Converter

-
Image
Yesterday Fujifilm launched the latest edition to the Fujinon XF lens line up, the XF 2X TC WR teleconverter for use with the XF50-140mm f2.8 and XF100-400mm f4.5/5.6 zoom lenses.  In April I was invited by Fujifilm to test the new converter and here are my thoughts on this new lens. Before I go into details I need to be upfront about something.  I've never been a fan of 2x converters because the optical quality of the lens is usually affected to a large degree.   I did have a 1.4x and 2x converter for my lenses when I was shooting with Nikon. While the 1.4x converter was regularly attached to my long f2.8 lenses, the 2x converter was probably used about three times in the 18 years I used Nikkor lenses.  I didn't like the results when using the converter so tended to not use it. Anyway back to the X-Series!  The 1.4x Fujinon converter was launched in 2015 and I have been a fan of this diminutive lens attachment on both the 50-140mm and 100-400mm.  The optical qu
Read more

REVIEW: Using Nikon Lenses on a Fuji X Camera

-
Image
I've been using the Fujifilm X-Pro1 for the past month and I haven't enjoyed my photography so much since I bought the Fuji X100 12 months earlier.  The only issue I have with the X-Pro1 is the lack of a long telephoto lens.  The longest lens I have is the 60mm f2.4, which is the equivalent of a 90mm telephoto; it's a great lens but I sometimes wish my Fuji system had a bit more pulling power.   Fuji have provided the X system with a telephoto zoom, the 55-200mm f3.5 / f4.8 R LM OIS and I will be testing this lens next week for three days. I will be showing the results on this blog. However my Nikon kit has one of the best short telephoto zooms in the world, the Nikkor 80-200mm f2.8 AF-D.  I bought this lens brand new in 1996 for £1600.00 and it has been a faithful companion ever since. I've bought and sold plenty of SLRs / DSLRs in the past 18 years but I've never felt the need to upgrade the 80-200mm because it is still optically the best lens I own and it ha
Read more

Rode Wireless Go for the Fujifilm X-T4

-
Image
One of the things I learned very quickly when using video is the need for clear audio. It doesn't matter how good the video looks, if the audio is poor, then the video is not going to be well received. Over the years I have invested in good, portable microphones even invested in a radio mic system.  This worked really well but when working in a motorsport environment, a broad range of radio frequencies are used for various uses and radio microphone frequencies are strictly controlled.  in some countries you also need to buy a licence, which can cost hundreds of pounds, so I quickly reverted back to wired microphones. This brought its own problems as when interviewing drivers the surrounding environment can be noisy, so you need to get the microphone as close as possible.  Of course, the extra added complication in the last few months means the interviewer has to stand at least 1.5 metres, which means wires trailing across the floor, which isn't good. In March
Read more