XT1 Timelapse Video: Dunbar Harbour

-

Continuing the Timelapse project I am working on I headed down to the harbour in Dunbar to capture some images using the 'Interval Timer Shooting' feature on the Fujifilm X-T1.  I decided to move around the harbour and use different lenses of varying focal lengths to capture the various aspects of the harbour.

I also tried panning the camera on the Manfrotto tripod and you can see this in the final video but I need to practice this aspect as the result is far from perfect.  I was shooting three frames and then moving the camera slightly, shooting three frames and then moving it again.  This technique has resulted in a very jerky movement and I will look at this again on my next timelapse video from Dunbar.

 The video is made up of 744 separate frames shot at 5 second intervals.  The final video was put together in Windows Live Movie Maker with each frame given a time of 0.1 seconds.  The final video is 87 seconds long (with front and end credits).

 Here is the video -



 The music is rights free and was downloaded from www.freemusicarchive.org.  The track is Squinting at the Sun by Lee Rosevere.

 I also shot some images on the X-Pro1 to go with this blog.



The next Timelapse subject will be East Beach.

Timelapse video shot on a Fujifilm X-T1.  Still shots taken on a Fujifilm X-Pro1
-------------------------------------------------------------------------------------------------------------
PLEASE SUPPORT THIS BLOG BY VISITING THE ADVERTISERS ON THIS PAGE
By clicking on the adverts you are helping support this blog - thank you.
-----------------------------------------------------------------------------------------------------------------

ALL IMAGES ARE THE PROPERTY OF MACLEAN PHOTOGRAPHIC AND CANNOT BE USED FOR ANY PURPOSE WITHOUT PRIOR PERMISSION


If you like what you see on this blog please visit our Facebook page and click 'like'

Comments

Post a Comment

Popular posts from this blog

REVIEW: The New Fujinon 2x Converter

-
Image
Yesterday Fujifilm launched the latest edition to the Fujinon XF lens line up, the XF 2X TC WR teleconverter for use with the XF50-140mm f2.8 and XF100-400mm f4.5/5.6 zoom lenses.  In April I was invited by Fujifilm to test the new converter and here are my thoughts on this new lens. Before I go into details I need to be upfront about something.  I've never been a fan of 2x converters because the optical quality of the lens is usually affected to a large degree.   I did have a 1.4x and 2x converter for my lenses when I was shooting with Nikon. While the 1.4x converter was regularly attached to my long f2.8 lenses, the 2x converter was probably used about three times in the 18 years I used Nikkor lenses.  I didn't like the results when using the converter so tended to not use it. Anyway back to the X-Series!  The 1.4x Fujinon converter was launched in 2015 and I have been a fan of this diminutive lens attachment on both the 50-140mm and 100-400mm.  The optical qu
Read more

REVIEW: Using Nikon Lenses on a Fuji X Camera

-
Image
I've been using the Fujifilm X-Pro1 for the past month and I haven't enjoyed my photography so much since I bought the Fuji X100 12 months earlier.  The only issue I have with the X-Pro1 is the lack of a long telephoto lens.  The longest lens I have is the 60mm f2.4, which is the equivalent of a 90mm telephoto; it's a great lens but I sometimes wish my Fuji system had a bit more pulling power.   Fuji have provided the X system with a telephoto zoom, the 55-200mm f3.5 / f4.8 R LM OIS and I will be testing this lens next week for three days. I will be showing the results on this blog. However my Nikon kit has one of the best short telephoto zooms in the world, the Nikkor 80-200mm f2.8 AF-D.  I bought this lens brand new in 1996 for £1600.00 and it has been a faithful companion ever since. I've bought and sold plenty of SLRs / DSLRs in the past 18 years but I've never felt the need to upgrade the 80-200mm because it is still optically the best lens I own and it ha
Read more

Rode Wireless Go for the Fujifilm X-T4

-
Image
One of the things I learned very quickly when using video is the need for clear audio. It doesn't matter how good the video looks, if the audio is poor, then the video is not going to be well received. Over the years I have invested in good, portable microphones even invested in a radio mic system.  This worked really well but when working in a motorsport environment, a broad range of radio frequencies are used for various uses and radio microphone frequencies are strictly controlled.  in some countries you also need to buy a licence, which can cost hundreds of pounds, so I quickly reverted back to wired microphones. This brought its own problems as when interviewing drivers the surrounding environment can be noisy, so you need to get the microphone as close as possible.  Of course, the extra added complication in the last few months means the interviewer has to stand at least 1.5 metres, which means wires trailing across the floor, which isn't good. In March
Read more